3.09.2010

Regardez: Minimalism is maximalism at least in Paris


Apparently everybody got the memo about minimalism. Stella McCartney showed one notched blazers and coats over slim trousers all in grey which was made fresh with the seasons kitten heals. I loved Natasha Poly's look an oversized camel cardigan, thats it. That collection exuded a casual sort of glamour. The  opulent baroque interior of The Paris Opera House was literally overshadowed by the ethereal trains on a few of the looks.

Theatrics aside, Viktor&Rolf's presentation on Saturday was simply spellbounding. This idea that an entire look could be changed with nothing more than a few drawstrings and zippers was genius. It was a great progression given the concept for their last show. In times like these consumers want more bang for there bucks. It also seemed to be a nod to there Fall 1999/2000 Hiver Russian Doll as well as the Black Hole collection. Volume that is being restricted to the body by simple elements. It is all about an idea, a concept this time around the duo showed us that tranformation can be beautiful.

Regardez click here.

3.08.2010

Tavi's thoughts about fashion blogging.

But I don't think anyone is saying blogs are the equivalent to magazines, or inexperienced bloggers like myself are the equivalent to journalists, anyway. Still, there is nothing wrong with having a range of perspectives. I think fashion is important to discuss.

Which brings me to this recent Isabel Marant quotation:
“For me, fashion shows are not for the public, they are trade shows for the press. It’s time for the press to understand the collection and then spread the information. That’s more interesting than just the image. Everyone wants to be first. It’s too too much. There should be privacy and mystery. There is no excitement about anything anymore as everything is available immediately and all the time – you don’t have to wait for anything. I don’t like the idea of being flooded with image and information. I don’t belong to the generation of spending time on the internet. I think it’s too fast and too fake. It’s like going to a museum on the internet – where is the pleasure? It’s sad because everyone is running after everything, but after what? Everything is too quick. There is no room in your heads for all this information. No one retains anything.”
I think that when it comes to fashion shows being online, it's exposure for a brand. I think that a customer deserves to see the show and get to know the world of that label. I like privacy and mystery too, but there's a fine line between that and exclusivity.

From Tavi at style rookie.
Style Rookie

3.07.2010

Regardez: Balmain Hiver 2010

 
Dolly Parton as seen through the eyes of William Morris.Women want to be the Balmain girl and men want to be with her.

3.02.2010

Reegardez: Marni Fall/Winter 2010

There's no doubt that the Marni sense of color is exceptional—and a big part of the attraction, as it makes for favorite pieces with a long life. This collection had some wacky ideas: big, jazzy seventies upholstery-type patterns smothered all over suits and matching bags; tops with 3-D stand-out peplums over bulky skirts.These looks can certainly be carried off by chic women whose personal style shines through to make them modern and relevant. But would seem quit at home in a museum.
 As a matter of fact this season so far many of the designers have a been looking to themselves for inspiration. Delving within archives and coming out with "the best of" what they do. We saw this at Marc Jacobs in New York and we saw it on this past Sunday at Dolce & Gabbanna. D&G are known for there use of black and white polka dots, leopard print, and Men's tailoring on women.  During there presentation a video of the designers creating the collection and the seamstresses who aided played as a backdrop. It is the re-telling of an old story that seems to catch the attention of the editors these days. We will have to see what Paris will have to offer, Myself and the rest of the fashion industry are waiting to see what will become of the house of Alexander Mcqueen.

Regardez/Ecoutez- Dam-Funk Mirrors

3.01.2010

Regardez: Marc Jacobs Fall 2010

 
As dreamy and serene as any Jacobs show in recent memory—and how typical of him to intuit that the world is craving serenity right now—the show played like a nostalgia trip, one so lovely it was quite easy to be seduced. "It's refreshing to see something that isn't trying so hard to be new," Jacobs, subversive as ever, said after the show. "There's so much striving for newness now that newness feels less new."

2.22.2010

Regardez: Minimalism, Sartorially Speaking

 
So this past weekend I was in Savannah visiting some of my old school friends.I brought my laptop along with me but spent my time out and about so no blogging was done. I did have a chance to pick up a few magazines, this editorial was in Complex the side that featured Michelle Trachtenberg. Brooklyn electronic rap sensation Theophilus London worked the looks for all they were worth. I was struck by the richness of the colors, I haven't seen colour this viberent since Jil Sander's Spring 2007 collection. That collection was sharp, precise, and pinging with hard, bright color. An acid-yellow shirt with a short, navy duchesse satin skirt. A skinny-legged black pantsuit with a cropped, high-fastened, one-button jacket, showing a flash of emerald shirt at the neck. An inky-blue (better known as Yves Kline Blue) elliptical dress with a drape in the back. Walking minimalism, for me it does not get any better!! So this editorial is the perfect style direction going into spring.

Histoire noire de Clebrate

" But when, you will ask, did my overworked mother have time to know or care about feeding the creative spirit?
The answer is so simple that many of us have spent years discovering it. We have constantly looked high, when we should have looked high-and low.

For example: in the Smithsonian Institution in Washington, D.D., there hangs a Quilt unlike any other in the world. In fanciful, inspired, and yet simple and identifiable figures, it portrays the story of the Crucifixion. It is considered rare, beyond price. Though it follows no known pattern of quilt making, and though it is made of bits and pieces of worthless rags, it is obviously the work of a person of powerful imagination and deep spiritual feeling. Below this quilt I saw a note that says it was made by 'an anonymous Black woman in Alabama, a hundred years ago.'

If we could locate this 'anonymous' black woman from Alabama, She would turn out to be one of our grandmothers-an artist who left her mark in the only materials she could afford, and in the only medium her position in society allowed her to use."

~Alice Walker~

2.14.2010

Regardez: Muscling In on the Front Row


By:Cathy Horyn

IF designers are not terribly, terribly worried that Snooki and Pauly D will show up and spoil their party — don’t be alarmed, dears, it’s only Fashion Week — it may be because they have excellent gatekeepers like Billy Daley of Michael Kors.
“I just said no to three celebrities who wanted to come to Michael’s show,” said Mr. Daley, the communications director for Mr. Kors, identifying the type as “very obscure and up-and-coming actresses who may or may not be the next Blake Lively.” Their Hollywood publicists had requested seats to the show, which is on Wednesday.
Of course. You don’t think all those fabulous stars turn up at fashion shows to pay homage to the designer, any more than Nicole Polizzi, known as Snooki, the loud, devouring star of the controversial MTV reality show “Jersey Shore,” is dying to put on one of Mr. Kors’s cute twin sets.
Media reports last week that cast members of the Italian-American beach-house rumpus might be seated with the style mavens at New York Fashion Week produced groans of “Oh, no, not them.”
The reports turned out to be pure ballyhoo, the work of a talent agent for several cast members who said that a number of fashion houses had extended invitations. Later, Emily Yeomans, a communications manager at MTV, said that none of the cast had plans to attend shows, nor had any designers invited them.
The industry’s recoil from a threatened invasion of bad taste exposed anxieties over the changing role of the front row, once the exclusive domain of influential editors, retailers, socialites and celebrity friends of the designer. That fortress was breached long ago, about the time Paris Hilton and her Chihuahua showed up. More recently, bloggers and Real Housewives of New York have plunked themselves down. But fashion still wants its front row to look glamorous, and it obsessively monitors the seepage of image.
Like the Super Bowl and the Sundance Film Festival, Fashion Week, which began Thursday, has become such a media event — beyond showing the next season’s clothes, beyond cozy parties for industry insiders — that the front row has assumed a crazy significance in terms of drawing publicity.
In flush times, fashion houses spend small fortunes in money and time trying to get at least one big catch for their front row: a celebrity whose picture qualifies as an endorsement and will be seen everywhere. Agencies exist just for that purpose, though many designers use Hollywood stylists as go-betweens, and still others, like Marc Jacobs and Narciso Rodriguez, have personal relationships with celebrities — Mr. Jacobs with Victoria Beckham, Mr. Rodriguez with Claire Danes.
“It’s such an underworld in a way, the celebrity wrangling,” said Vanessa Bismarck, a New York-based fashion publicist whose firm, BPCM, represents labels like Preen and Azzaro. She was referring to the deals, trades and exclusive contracts — first-class airfare, hotel rooms for friends, per diems, designer boutique shopping sprees — that miraculously clear a path to the front row for a busy actress. This is especially the case in Paris and Milan, where budgets and appetites for celebrities are that much bigger.
“Their managers and agents realize fashion shows are a money-making opportunity,” said Roger Padilha, whose firm MAO Public Relations represents a number of fashion brands. “If you see an A-list star at a show, that’s because she’s making $100,000 on the deal.”
Yet this season, because of the economy and a general souring on celebrity, many designers are taking a budget approach to V.I.P.’s, paying only for a guest’s outfit for the show and maybe grooming and car-service expenses. A publicist for several New York designers said his clients had been approached by actresses in Los Angeles willing to grace their front rows — provided travel expenses were covered. The designers said no thanks. “Nobody has the money,” the publicist said.
Last season, Ms. Lively, a Gossip Girl, was considered a good get. This week, according to Mr. Padilha, “Sandra Bullock is the get. Even more so than Anne Hathaway.” (Ms. Hathaway, a clotheshorse, made her most recent front-row appearance in January at Giorgio Armani’s haute couture show in Paris. Ms. Bullock is a favorite to win an Oscar for her role in “The Blind Side.”)
The actress Laura Linney is expected to attend Mr. Kors’s show, Mr. Daley said. Also on guest lists, according to KCD, a publicity and show production company, are the actress Zoe Saldana, the singer Maxwell and Alexa Chung, the former MTV host who has her own namesake bag from Mulberry.
Maybe the blunt mercantile aspects of celebrity — your frock for my recognizable face — have turned off the taste-makers. On Wednesday, Mr. Jacobs’s business partner, Robert Duffy, told Style.com that no celebrities were being invited to the designer’s show on Monday, a reversal of years of packing rappers in with famous artists and actors. Mr. Duffy said that “the celebrity thing” had become a bore.
It used to be fun. It used to be glamorous. Anyone who went to a Gianni Versace show in the early ’90s can recall seeing Sting, Sylvester Stallone and Tupac Shakur. Mr. Versace didn’t seek to supplant the editors and socialites, but by displaying an unaffected love for pop culture and pop idolatry he made the role of the front-row celebrity seem new and urgent.
“Some people had a hard time understanding why we invited Prince,” recalled Emanuela Schmeidler, a publicist who worked with Versace for more than 20 years. “Who was this guy?”
Now, like a worn rut in a road, the whole business of celebrity seems so well established as to be old and familiar, and in fashion, hopelessly preoccupied with the new, that makes it worthy of contempt.
Stars, too, find a front-row appearance less of a thrill. They see little reason to put up with the swarming photographers and inane questions from pouncing gossip reporters. Some celebrities strive for loftier images. “Angelina Jolie doesn’t go to the shows,” Ms. Schmeidler observed. “She goes to Haiti.”
Which brings us back to Snooki and the “Jersey Shore” bunch.
Inevitably they will be invited to a fashion show, just as surely as Lindsay Lohan, who only a few years ago was a desired “get” for the front row, will be told by someone’s publicist that there is no place for her now. She’s old business.
“Oh, you know you’re going to see them at something,” Mr. Kors said of the “Jersey” cast. The fashion world scorns anything — camp taste, bad hair — until suddenly it’s in its interest to approve them, and then the idea is genius. Who can say when that will happen? But it will help if “Jersey Shore,” which has just been renewed for a second season, continues to be a hit.
Snooki, through her representatives, was not available for comment.